Product Spotlight: Eames Turned Stool
"The role of the designer is that of a very good, thoughtful host, anticipating the needs of his guests.” - Charles & Ray Eames
A versatile heirloom, revitalized
Deep enough to form a comfortable seat and shallow enough to balance a cup of coffee—that’s how Ray Eames described the depressions on the ends of this sculptural stool that she and Charles designed. That ingenious versatility paired with its geometric good looks and outstanding craftsmanship have made it a go-to in lobbies and living rooms around the world. First introduced in walnut in 1960 as Eames Walnut Stool, its new name reflects the addition of ebonized ash and the process still used to manufacture the stool.
“What works good is better than what looks good, because what works good lasts,” Ray Eames once said. In true Eames fashion, Eames Turned Stool does all three.
Charles and Ray Eames designed what was originally called Eames Walnut Stool in 1960 as part of an overall design scheme for three lobbies in the newly constructed Time-Life Building at Rockefeller Center in New York—a commission done at the request of Henry Luce, then the chair of Time-Life. Ray took a particular interest in the diminutive but significant piece, which the Eames Office says was inspired by an African stool that stands in the living room of the Eames House in Los Angeles, one of many objects the couple had collected while traveling.
The design is quintessentially Eamesian in its systems approach. The ends are standard across all versions of the stool, while the midsection of each pedestal features a unique arrangement of curves and angles. The Eames Office originally proposed a number of shapes; Herman Miller commercialized three of them in 1960, alongside the Eames Executive Chair, a padded leather swivel chair that became known as the Time-Life Chair. In 2023, Herman Miller introduced a fourth Eames shape and renamed the stool Eames Turned Stool—a nod to the woodturning process used in manufacturing it.